Is Bollywood able to make a Kill Bill, Tomb Raider, Charlie’s Angels or Captain Marvel — a true-blue actioner with a lady doing the honours? When was the final time you watched a feminine actor choose up weapons and grenades and take down the enemy single-handedly? Might be an uphill activity given the gender-specific time period reads, “one-man-army”.
It will not be fallacious to say that actors like Akshay Kumar and Salman Khan have dominated this specific style, with girls largely relegated to their very own containers, with breakout roles being written for them at instances, however action-oriented movies have been few and much in between.
So, when Kangana Ranaut says, “Heroines in Hindi films have not got the opportunity to do action,” she isnt fallacious. She makes a degree that ladies actors don’t simply want the privileges of main girls, however “the privileges of a hero on set.”
Khoon Bhari Maang’s climax sequence had Rekha indulging in some motion.
Hema Malini unleashed punches in Razia Sultan (1983), Rekha additionally fought her enemies head-on in Khoon Bhari Maang (1988). But, that is essentially the most they obtained to do again within the day, as a result of the handful of movies barely helped in altering the way in which we noticed our girls doing motion onscreen. The most their characters did within the title of motion was journey a horse or bike, or shoot a bullet or two. Because till they’re the damsels in misery being saved by a muscle-flexing man, the place will taalis and seetis come from?
The Nineties was certainly an period of romance and comedy. Though with the flip of millennium, filmmakers began experimenting with female-centric topics, however they largely revolved round their coming-of-age tales, or empowerment. There was Lajja (2001), Queen (2013) and Mary Kom (2014). But, on the finish of the day, the difficult a part of motion went to males.
“We should look at a film just as a film. We shouldn’t attach sexuality (gender) to it. We, women, have contributed so much to so many films. Since all the credit is given to men, we have faced the damage because of that,” Kangana added, whereas selling her movie Dhaakad lately.
Anushka Sharma self-produced NH10 that emerged as an necessary movie in her profession.
Dhaakad has Kangana taking part in an Interpol agent Avni who’s an murderer, out to unravel a human trafficking nexus. The trailer is loaded with ruthless bloodshed with Kangana unleashing mayhem upon her nemesis amid noisy gunshots and bombs.
Dhaakad is touted to be a certainly one of its type female-led motion film. That’s additionally like an finish product of half-a-dozen outstanding movies that go down the Bollywood historical past for making an attempt to do justice to the style. There’s likes of Samay, Mardaani and Jai Gangajal. However, they are often clubbed underneath feminine cop dramas. And if they don’t seem to be carrying the uniform, they’re spy brokers like Shilpa Shetty in Dus. But her portrayal majorly obtained misplaced within the mega star forged comprising of Sanjay Dutt, Abhishek Bachchan, Suniel Shetty and others.
Interestingly, when director AR Murugadoss determined to remake Tamil movie Mouna Guru (2011) in Hindi, he made an enormous change. He flipped the plot and forged a lady within the lead position. Thus, Sonakshi Sinha’s Akira (2016) deserves a point out right here. She performed a short-tempered school scholar who will get embroiled in a criminal offense. The motion was uncooked and actual, and Sonakshi did a fantastic job.
Murugadoss advised IANS in 2019, “When most heroines are busy decking up, hopping from one set to the other, singing duets with different heroes, Sonakshi was learning to fight like a man. When she was performing stunts, I asked her to imagine herself as a man, to shrug like a man, to punch like a man, and to stare like a man. The way she transformed into Akira amazed me.”
That Sonakshi wanted to carry out “like a man” to make sure its motion scenes look convincing, may be debatable, nevertheless it did change into an sincere try at placing a lady on the entrance foot. The film nevertheless had a under expectation run on the field workplace. That brings us again to the inherent query — is revenge and motion simply meant for the lads?
Priyanka Chopra needed to journey to the US for an intense action-packed position in Quantico. While she had carried out Don and Jai Gangaajal in India, this was true-blue motion. Give girls an opportunity and so they would possibly flip the desk of their favour. Anushka Sharma was a pressure let free in NH10. And Taapsee Pannu’s 7-minute motion sequence in Baby (2015) lifted her from the supporting league to the mainstream Bollywood, giving a solo spin-off of her character in Naam Shabana (2017). Taapsee immediately has change into synonymous with women-led tales.
Absolutely! Always profit from what you have got…pleased with you and your onwards and upwards journey 🙂 https://t.co/c2tnYDtmu4
— Akshay Kumar (@akshaykumar) January 23, 2021
We should credit score filmmakers Raj and DK for trusting a feminine antagonist of their The Family Man 2. And we noticed the fantastic job that Samantha Ruth Prabhu did within the position.
Stating how she wished to push her boundaries and discover unfamiliar feelings, Samantha mentioned throughout the promotions of her net present, “Women actors are inclined to get unidimensional characters and it turns into troublesome to painting them as there may be concern of your efficiency changing into repetitive. With Raji, it was so completely different and thrilling because it allowed me to discover a brand new dimension.”
The latest examples solely depict that every one feminine actors want is an opportunity. And with superstars tradition on the vane, and pan-India Being the flavour of the season, time is ripe to experiment with characters that defy roles conventionally outlined by gender. We solely hope Kangana Ranaut’s fiery avatar in Dhaakad will open extra doorways for our feminine actors.
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With inputs from TheIndianEXPRESS
