Hey Sinamika evaluate: Dulquer Salmaan, Aditi Rao Hydari star in ‘methods to lose a husband in a month’

Hey Sinamika is the directorial debut of standard choreographer Brinda. Despite her intensive expertise within the movie business, her film is replete with rookie errors. It looks like her try to repeat all of the romantic motion pictures made earlier than hers, notably the fashion of Mani Ratnam (OK Kanmani) and Gautham Menon (Vinnaithaandi Varuvaayaa). With hardly any novelty or coronary heart, the movie feels extra like a mishmash than a healthful romance. What’s extra necessary is that this can be a movie we now have already watched many occasions earlier than.

The film opens with the hero sitting at a espresso store situated on the beachside. The ocean breeze appears stronger than regular because the heroine walks in along with her hair blowing within the wind. They take a look at one another and are transfixed. Love at combat sight, certainly. There is a fantastic line from Kambaramayanam, ‘Annalum nokkinaan Avalum nokkinaal’, which talks concerning the first sight of everlasting love. Unfortunately, the scene shouldn’t be half as poetic because the underlying feelings want it to be. As a matter of reality, it could not be extra chilly and visually standard. The shot was so unimaginative that I puzzled whether or not it was Brinda’s approach of ridiculing the romantic stereotypes in Tamil cinema. Alas, that wasn’t the case.

The movie’s central theme offers with two girls combating for a similar man, which is one thing all Tamil TV serials have flirted with through the years.

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Yaazhan (Dulquer Salmaan) performs a person safe in his pores and skin. He does not have any qualms about taking good care of family chores as his highly-paid spouse Mouna (Aditi Rao Hydari) takes care of the payments. In one scene, Yaazhan is comfy going to a marriage in his spouse’s gown and holding her purse. He is proven as an advanced species that feels no have to resort to violence, dominance or different masculine tropes to show his price as a person. He looks like a catch, no? But Mouna would vehemently disagree with that commentary. So a lot in order that she desires to finish their marriage. She claims she is bored with Yaazhan’s clinginess and have to share, and can’t fill the void of a companion in his life anymore. And she is true. It does really feel a bit an excessive amount of when your companion tries to feed you cake if you are within the bathe. Yaazhan could also be well-read however that does not imply he is flawless. And that ought to have been the main focus of this film — Yaazhan understanding how his clinginess is affecting Mouna, and Mouna having a dialog like an grownup with him, as an alternative of hiring a temptress to seduce away her husband.

Sadly, this movie is bent on portray Yaazhan as an ideal man, whereas Mouna is proven as a idiot for not appreciating his love unconditionally. This movie squanders the chance to be an intimate film about relationships and the significance of sustaining a wholesome area between {couples}. Instead, it settles on complaining: why all women are like this solely ya?