When Raj Kapoor based RK Films on the age of 24, he was thought of a trailblazer. During the Nineteen Fifties, one after the opposite, RK Films churned out movies that audiences beloved, and other than being entertaining, they had been socially aware. Although these movies generally get a bit of preachy, they compelled the viewers to look at their environment, in addition to begin a dialog in regards to the issues confronted by the widespread man. But because the Nineteen Sixties approached, RK Films began a brand new chapter. now when Raj Kapoor He performed the director, he tried many topics, a few of which haven’t even develop into previous. The first movie that Raj Kapoor made on this decade was his first coloration movie. Starring Vyjayanthimala and Rajendra Kumar himself, the movie was Sangam.
Sangam has every little thing that an RK banner movie was identified for – nice actors, expert actors and melodious music. The movie additionally handled its viewers to a European vacation by way of its visuals, which was fairly an enormous deal on that day as not many movies had been shot in overseas places, and it was an incredible selection for cinema-going audiences. It was an enormous attraction. But upon re-watching the movie, it’s clear that Sangam is taking greater than three hours of male privilege down the throats of the viewers. Allow me to clarify why.
Vyjayanthimala’s Radha retains dismissing Sundar’s progress however that does not cease her from urgent her buttons.
Raj Kapoor as Sundar in Sangam, Radha in Vyjanthimala and Rajendra Kumar as Gopal. Sundar has been in love with Radha since childhood, and her ardour has adopted her properly into her maturity. So a lot in order that when he asks her if she is going to ever be with him within the track ‘Bol Radha Bol’, she says in fact, however he will not reply it. From stealing his garments to a scuffle with him when she takes a dip within the lake as a result of she says he isn’t in it – he simply does not maintain again. He reveals up at her home when he desires to, takes her to outings when he feels prefer it and easily assumes that the love letter he wrote might be for her.
Reading this in 2022 you’ll suppose that Sundar is the villain of this story, however you’re fallacious proper right here – Sundar is the ‘hero’ of this story, who will get no repercussions for his actions and is definitely ‘rewarded’ within the movie. It is just not doable for a movie to have solely morally upright characters, however when offensive characters are rewarded for his or her problematic behaviour, you begin fascinated with the conditioning of Hindi movie audiences.
The occasions of the movie take a number of weird turns, together with Sundar changing into an Air Force officer, going to conflict to show to Radha that he’s worthy and, later, presumed useless. Meanwhile, Radha and Gopal, who’ve been in love because the starting, nevertheless it did not work out as a consequence of Sundar’s fixed interference, are set for marriage. Well, it seems that Sundar is just not useless and as quickly as he returns, Gopal ‘sacrifices’ his love in order that Sundar can marry Radha. There is just not a single scene in all this the place Radha is requested her want and that is the girl who cried on the considered being with Sundar. But as is usually the case in Hindi movies written by males, Radha turns right into a pativrata patni Just within the subsequent scene!
The movie does not care about what Radha desires, and by no means even pretends to care about her.
Radha is figuratively tossed between the 2 finest mates till the ultimate quarter-hour of the movie, the place she lastly asks if it should ever be their factor, however as anticipated, nobody cares what she thinks. Is. Men do what they need and Radha ought to solely love her husband as a result of that’s what Sanskrit language Women do.
It could be very disturbing to see a feminine character in a Raj Kapoor movie who does nothing however dream of being together with her boyfriend, or later touring round Europe together with her husband. I say stunning as a result of earlier movies directed by Raj Kapoor had the aim and company of feminine characters. In loafersNargis is a lawyer who additionally occurs to be the middle of the love story. His career is not only a tag for him but additionally serves an important objective within the story. In Mr 420, Nargis once more performs the position of a morally upright schoolteacher who runs away from her girlfriend as a result of she is a dishonest man. So it comes as a shock that Vyjanthimala is proven completely no character arc within the movie aside from somebody’s love.
Sundar and Gopal are finest mates who each love Radha, however don’t look after her needs.
Raj’s Sundar, who has all of the pink flags one must be looking out for, ultimately marries the girl he had all the time dreamed of, however as quickly as he’s finished, he’s a modified man. On his first anniversary, he finds an previous love letter and begins questioning his spouse as if she had been a stranger. She is heartbroken, embarrassed and desires to show her innocence, however which means she has in all probability been with different males. And up thus far, you query whether or not this ‘hero’ ever deserved the love of his life, and much more so, a film.
Sangam is a love triangle that was created to draw the lots, and the exceptional factor is that it did. The movie continues to be remembered for its evergreen music, and some years again, it was reported that the movie was going for a remake (thank god, we’ve not heard anything on that entrance). As problematic as Sangam now appears, it’s value noting that audiences of the Nineteen Sixties had been uncovered to a restricted worldview, however for a filmmaker of Raj Kapoor’s caliber, who would have made extra wholesome movies within the Nineteen Fifties. Sangam looks as if a step again.
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With inputs from TheIndianEXPRESS
