Kanika Dhillon will get Taapsee Pannu’s help, slams Navjot Gulati for sexist comment: ‘People like her spit in your arduous work’

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Bollywood screenwriter Kanika Dhillon has slammed writer-director Navjot Gulati for claiming her ‘private connection’ within the manufacturing home helped her get a special author’s credit score slate within the just lately launched trailer. Haseen Dillruba. Kanika fiercely focused Navjot in robust phrases on Twitter. He elaborated on his stand in an interview to indianexpress.com.

“I want to highlight this because it is very bad that has happened in the public domain and I will not let it go. After being in the industry for so long, we have people like him who totally spit on your hard work. It has to stop at some point,” Kanika informed indianexpress.com.

It all began when on Monday, Navjot Gulati took to his Twitter account and wrote, “If you want top billing as a screenwriter in a trailer (something that should be ideal) then you should get married in a production house. need to. Once the writer becomes a member of the family, he is treated like an actor-star. #aim.”

He was seen referring to the standalone plate given to Kanika Dhillon within the upcoming Netflix movie, directed by Vinil Mathew and starring Taapsee Pannu, Vikrant Massey and Harshvardhan Rane. Kanika, who has written the screenplay, additionally has movies like Manmarziyaan, Kedarnath, Judgmental Hai Kya and Guilty.

She was fast to answer, “Hi @Navjotalive. I am quite surprised by the extent of your extremely sexist – mysogist and IDIOTIC commentary and neither will I list my body of work because your pea-sized brain will not be able to process what makes a successful woman on its own! Your brain may freeze! Have a nice day.” In one other tweet, he mentioned, “And Mr @Navjotalive because of writers like you – who display their folly on something should be appreciated as a welcome move by the writing fraternity- Other very deserving writers don’t get the top billing as they deserve. — You should feel ashame!”

Kanika Dhillon had a special credit score slate within the trailer of Netflix’s upcoming movie Haseen Dilruba. (Photo: Screenshot/T-Series)

Kanika married writer-producer Himanshu Sharma earlier this 12 months. Himanshu has co-produced Haseen Dilruba with Aanand L Rai. “He says it happened because I married Himanshu, who is Aanand L Rai’s partner. Himanshu is not aware of this and I do not want him to get involved. This is my thing. Whenever a woman is more successful, people tend to choose her personal equation with the man. I am getting messages supporting me from the industry. If he can do this to me, who has six films, I wonder what people like him will do to young girls who are coming up now,” Kanika mentioned.

Taapsee backed her stance, “A progressive call to attribute a writer’s success to the age-old misconception of crediting a woman’s success to the household she marries or the man she marries . Your noble call for equal credit cannot be overshadowed by the bitterness in you. “

Apart from Taapsee, a number of writers have come ahead to help Kanika, together with Atika Chauhan, Jyoti Kapoor Das, Anirudh Guha, and filmmakers Jay Mehta, Bejoy Nambiar, Vivek Agnihotri and others.

Read among the tweets right here:

Netflix, like different main streaming platforms, shouldn’t be identified for giving sufficient credit score to the writers of its initiatives in trailers. Kanika reveals that Haseen Dilruba is a welcome transfer. “Netflix was very kind about it. The team reached out to me to tell them they had decided to credit me as one of the top billing writers for marketing materials. I thought it was a very progressive step in the right direction.” People have been appreciating the transfer ever for the reason that trailer was launched.”

Kanika reiterated her level and informed us that the wrestle continues to be on. “Contracts are executed in such a approach that it’s at all times the producer’s name. Writers do not actually get a lot in return. We don’t obtain any affirmation as to the place our credit can be taken, leaving us wherever it’s handy for the producer. Thankfully I can converse effectively for myself. So this (Navjot claims) is taking away all of the arduous work and possession that’s given to a director in addition to a producer. Because of misogynists like her… my drawback is that she can be a author and from the identical business.”

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With inputs from TheIndianEXPRESS

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