Nicole Kidman She needed to put up an allegedly sexist query to a journalist about her latest movie Being the Ricardos. In an interview with The Guardian’s Eva Wiseman, the actor was speaking about his relationship along with his character Lucille Ball and husband Desi Arnaz.
He described the movie as: “It’s about a creative and romantic relationship that doesn’t work out. But it leads to some extraordinary things. And I love that. I love that it doesn’t have a happy ending.” This film says that you would be able to stick with it a unprecedented relationship and go away the remnants of it that exist without end. Yes, it is actually stunning.”
She continued, “You can’t treat people the way you want to, and sometimes you’re going to fall in love with someone who won’t be the person you’ll spend the rest of your life with. And I think That it’s all very relatable. You might have kids together. You might not, but they were so in love.”
When requested by the journalist if that was the “way to talk about Tom Cruise,” Nicole replied, “Oh, my god, no, no. Not at all. No, I mean, honestly, so much. Before long that he’s not in the equation. So no. And I’d even ask not to be pigeonholed like that. It almost sounds sexist to me, because I’m not sure anyone would say that to a guy. And at some point But, you go, ‘Give me my life. In your own right.'”
Nicole Kidman and Tom Cruise married in 1990 and their marriage lasted till 2001. Speaking to Ladies Home Journal journal in 2006 she mentioned that she nonetheless loves him “He was large; he’s now. For me, he was simply Tom, however for everybody else, he is large. But he He was expensive to me and I beloved him. I nonetheless love him,” she mentioned.
Meanwhile, Being the Ricardos, written and directed by Aaron Sorkin, was launched on Prime Video on December 21. The movie has acquired largely constructive opinions. The Indian Express gave it 4 out of 5 stars.
“Often, it’s her [Nicole’s] The performance that draws you back when Sorkin writes himself into the corners. When she’s off-camera, she has a mysterious flair for Lucy, who with the flick of a switch turns into the loud caricature we recognize from sitcoms. As excellent as he is at speaking Sorkinese, Kidman deserves an Oscar nomination only for a closeup at the end of the film, which sees Sorkin getting exactly what he wants. He does the legwork for it with everything in his writing arsenal, but relies entirely on Kidman to bring it home. And she does,” the assessment reads.
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With inputs from TheIndianEXPRESS
