In South Korea’s booming leisure business, it’s uncommon for a comparatively unknown singer to have the chance to report a track for the unique soundtrack (OST) of a Korean drama. But when it does, says Ok-pop musician Seo Gi-joon, music lovers are launched to new sounds. Singer from Punch, whose collaboration with Stay With Me member of EXO group Chanyeol went off the charts after the recognition of the 2016 blockbuster drama ghostFor Gaho, who rose to fame after singing “Start Over” for Eighteen Classes, Ok-plays have given a brand new lease of life to the careers of many musicians.
“There are cases where an OST helped increase the popularity of the singer. The song sung by Punch and Chanyeol helped the goblins. Also, Gaho became famous after the success of Itawan Class,” mentioned the South Korean musician. advised PTI by an interpreter in a gaggle interview.
It is uncommon that budding artists change into a part of an OST as these songs are principally sung by lead singers, Seo added.
“Ok-drama OST helps many comparatively unknown singers to realize recognition. But, you even have to grasp that for a lot of singers who are usually not well-known, it’s tough to get an opportunity to sing for OST. It may be very uncommon Happens as a result of these songs often go to singers who’re already well-known,” he mentioned.
As a lot as an OST is a subset of a present, it’s an impartial entity and one doesn’t should be a Ok-drama fan to get pleasure from its album. In addition to stellar performances of ensemble solid and taut storytelling, superhit Ok-dramas together with Crash Landing on You, Descendants of the Sun, Search: WWW, Hospital Playlist, Something within the Rain and One Spring Night additionally featured unique songs. credit score for his recognition. carried ahead the plot.
Successful OST has a big impression on the recognition of the Korean drama, acknowledged Seo, who debuted in 2012 with the track “Love Technique” by Japanese singer Koda Kumi.
“People usually think that drama is more important and OSTs follow the popularity of drama. For me, as a musician, an OST is more important,” he mentioned.
Which songs are for Indian motion pictures, OST are for Korean dramas.
“Usually, Korean films don’t have OSTs. They have the original sound (background score), but the songs don’t,” mentioned the composer, whose credit embody “Actually I Am” by sibling duo Akum and Jung In. The 2015 Korean collection by Yong-pal consists of “Last Goodbye”.
Seo, who participated within the writing and association of practically 80 songs, mentioned {that a} producer doesn’t know when and the place the subsequent job may come from.
“One of the onerous issues about being a musician is that there isn’t a work schedule. Typically, shoppers simply ask for songs every time they need. Often, they ask ‘Can you make the track by subsequent week? ‘ This is a typical observe in Seoul,” he mentioned.
It takes as a lot effort to make an OST because it does for an everyday, catchy Ok-pop track. However, there’s a price range constraint.
“(Production) A song in OST costs less than a K-pop song. Usually it is 1 million to 1.5 million won (about Rs 90,000), i.e. if we exclude the money paid to the musician, “They mentioned.
It is fascinating how Seo, who didn’t prefer to learn as a baby, additionally teaches music at Baekseok Art University in South Korea.
“(Growing up), I focused on music and I started my music studies at university and that’s been my career so far,” he mentioned.
Seo just lately based an organization known as Gangnam Indie Records and is increasing the scope of music manufacturing right here in South Korea. When requested what his subsequent future challenge could possibly be, the musician mentioned, “Maybe, I will record another OST next week.”
With inputs from TheIndianEXPRESS
