When Lata Mangeshkar handed away in February, tens of millions of individuals all over the world celebrated it. ‘the top of an period’, Known because the ‘Nightingale of India’, Lata was the voice behind many generations of movie actors, but each music given to her, she devoted herself identical to a newcomer would. Lata’s first huge hit was ‘Aayega Aane Wala’ from the 1949 movie Mahal and till not too long ago, her dedication to her craft remained the identical.
Lata was 19 when she sang Mahal’s Aayega Aanewala And the music set the temper of the movie. Recording the music required a terrifying impact, however within the Forties, the know-how wasn’t superior sufficient to control a singer’s voice, so Lata got here up with a plan. He shared with Nasreen Munni Kabir in a ebook titled Lata Mangeshkar: In Her Own Voice, “We determined to make the music sound as if it was coming from distant, to create such an impact. I used to be standing in a nook of the studio with the microphone in the midst of the room. Singing the primary stanza, I slowly moved in direction of the mic, and after I was near him, I sang the primary music. We repeated this course of a number of occasions and at last the music was recorded.
This apply was unprecedented at the moment and the movie’s director Kamal Amrohi and music director Khemchand Prakash was once in awe of them. “It was a tremendous expertise. We spent the entire day within the recording studio engaged on ‘Aayega Aane Wala’. The director of Mahal, Kamal Amrohi sahab clearly understood how, via the music, he was in a position to convey the temper and ambiance of the scene. could make loads,” she recalled.
The dedication that Lata confirmed within the Forties was evident within the 2000s as nicely. Almost six many years later, when Lata was a globally famend singer, she had the identical ardour for music. And that is evident from an anecdote as soon as shared by movie director Rakeysh Omprakash Mehra. Lata Mangeshkar had turn out to be very selective about her songs in her previous age, however she agreed to sing for Mehra’s 2006 movie Rang De Basanti, the place the music was composed by AR Rahman.
Mehra shared that whereas singing ‘Luka Chuppi’, Lata stood on her ft for greater than 8 hours. At the time, she was in her late 70s. Recalling the incident on the tenth anniversary celebrations of the movie, Mehra shared in a press convention, “Every day she would come to the studio and begin rehearsing the music. I need it to sink in that Lata Mangeshkar would come to the studio day by day and rehearse the music. He rehearsed for 4 days. Meha was in awe of the singer who was so well-known but insisted on doing a lot rehearsal. On the day of recording, he recalled, “She was standing on the mic, we had been within the room. She was standing there, her high touching the ground. We stored some flowers, a bottle of water and a chair for her. She sang for 8 hours and stood there for 8 hours.
Veteran lyricist Gulzar, who penned Lata’s iconic music ‘Naam Gam Jayega’, spoke about her after her demise and shared how Lata recognized with the phrases of the music. He informed PTI-Bhasha, “We wrote a music for a movie. I keep in mind I informed him that whenever you signal autographs you should utilize this (music strains) ‘Meri voice hello recognition hai’. I did not imply to suppose (it might turn out to be his identification) nevertheless it turned his identification and he recognized (by it).
Lata Mangeshkar handed away in Mumbai in February 2021 on the age of 92.
With inputs from TheIndianEXPRESS
